Award-winning Nigerian artist Asake has sent tongues wagging with a bold new fashion statement just days after he was spotted with eccentric French fashion icon, Michèle Lamy. The “Lonely At The Top” crooner, fresh off a successful European run, appeared in a viral video donning a sharp, unconventional outfit that drew both praise and criticism — especially for how it contrasts with the raw, street-inspired sound that launched him to fame.
The now-viral clip showed Asake stepping out of a luxury car at an international event, assisted by an entourage that included a young man who opened the door for him and a lady who handed him his designer bag. His outfit? A crisp white shirt tucked into vibrant yellow trousers, paired with a brown Jacquemus Turismo bag reportedly worth nearly ₦1 million, according to the brand’s official listing.
Social media erupted in debate following the video. Some fans hailed his evolution into high fashion, calling it a natural progression for an artist of his global stature. Others questioned whether his current aesthetic — now leaning heavily into avant-garde couture — still aligns with his music’s Afro-street essence.
The fashion moment comes shortly after Asake was seen alongside Michèle Lamy, a revered figure in global fashion known for her gothic, out-of-the-box style. The encounter stirred significant buzz, with fans wondering whether Lamy’s influence may have a longer-term impact on the singer’s public image and artistic direction.
Online users didn’t hold back:
@d_realsolz quipped: “Asake’s lifestyle is like Usher Raymond, but his music still dey like Shina Peters.”
@nwachukwuemioma said: “Asake is effortlessly stylish. No wonder he’s always in Paris, the home of fashion.”
@mr_fenach added: “Watch out. He’s doing what makes him happy. He’s about to become a huge name in the US.”
@carter.property weighed in: “Any artiste wey fit change style and still look dope? That na real blessing.”
The singer has undergone notable changes since parting ways with YBNL Records, with some fans likening his current visual branding to that of Wizkid — refined, global, and borderline minimalist.
Still, a section of his fanbase is worried. Some commenters raised concerns over his new circle of international creatives, asking whether the shift might water down his sound or make it less relatable to his Nigerian roots.
Despite the mixed reviews, one thing is clear: Asake is owning his journey and reinventing himself unapologetically. Whether his evolving aesthetic will affect his core musical identity remains to be seen. But with fashion-forward strides and a growing global audience, Asake seems to be positioning himself for longevity far beyond the charts.
As fans continue to dissect his choices, Asake remains silent — letting his drip and his beats speak for themselves.
